Westwood, "Shape Shifting With Four Shows at Robischon Gallery" by Michael Paglia, 2017/8/16
The Washington Post, "Homage to Hillary is repurposed" by Mark Jenkins,2016/12/18
“Circle of Friends”, Catalog, Katzen Art Center, American University Museum, 2016
“Intersections@5” The Phillips Collection, Catalog essay by Vesela Strenovic, 2015
The Times, Mike Davis, “ Pulp Sculpting” by Mike Davis, 2015/20/18
YRB Magazine, Force of Nature SHIRO”, 2015/6/11
Artfix Daily, “Selections, Force of Nature” by Dalia Stoniene, 2015/6/11
Pollytalk from New York, “New Exhibitions” by Polly Guerin, 2015/6/15
U.S.1, princetoninfo.com, On a Roll: Jae Ko Unwinds Shiro at Grounds For Sculpture” by Ilene Dube, 2015/3/25
Hamptons Art Hub, “Jae Ko: Selections” by Hamptons Arts Hub Staff, 2015/4/18
The Denver Post, Ann Hamilton and Jae Ko at Robischon Gallery, by Michael Paglis, 2014/12/3
Denver Westword, “Conceptual Art from Judy Chicago, Ann Hamilton and Jae Ko” by Ray Mark Rinaldi, 2014/11/20
The Washington Post, “The Hirschhorn's Speculative Forms” by Michael O’Sullivan, 2014/6/20
The Washington Post, “In the Gallery” by Marks Jenkins, 2014/ 5/11
Art’s Vice Magazine, 2013/7
The Washington Post, “Exhibit adds up to a thrill” by Michael O’Sullivan, 2012/3/30
Dutch Financial Times, Zinnelijke beelden van rollen gekleurd papier, by Anne Berk, 2011/10/22
“Jae Ko” Catalog, Dick Graff Fine Art Honourable Silver Objects Antwerp Belgium, 2011
All Art News, “Jae Ko: paper”, 2010/9/26
“Jae Ko” Katzen Art Center, American University Museum, Catalog essay by Kristen Hileman, 2008
Meredith Cutler,” Cut, Folded, Dyed & Glued”, 2008/2/8
The Boston Phoenix, “Sculpting with Paper” by Greg Cook, 2008/2/12
Art News England, “Cut Folded and Glued” by Doug Norris, 2008/ June/ July
Denver Westword, “Medium in the Middle” by Michael Paglia, 2007/11/27
The Washington Post, “5+5: The Equation Works Only in Theory” by Michael O’Sullivan, 2007/3/23
The Washington Times, “Alternative Space for Creativity” by Joanna Shaw-Eagle, 2007/5/2
Sculpture magazine, “Reading paper” by Sarah Tanguy, 2007/September issue
Washington Jewish Week, “5+5 Equals Eclectic” by Aaron Leibel, 2007/2/15
Washington City paper, “5+5” by Kriston Capps, 2007/2/16
The Examiner,”5+5=Great” my Robin Tierney, 2007/3/5
Artforum, “jae Ko at Marsha Mateyka Gallery” by Nord Wennerstrom, 2007/January issue
Denver Daily News, “Getting the most out of Minimalism at the Robischon gallery”,
Reader Arts & Culture, “paper Work” by Fred Camper, 2005/9/22
Art Letter, review by Paul Klein, 2005/9/5
www.artscope.net, “Jae Ko: aggregation” by Katherine Lieber, 2005/10/22
The Denver Post, “Jae Ko’s Rolled paper exhibit a Standout” by Kyle MacMillan, 2004/2/14
Rocky Mountain News, “Coaxing Gems out of Paper” by Mary Voelz Chandler, 2004/1/30
Westwood, “Promises and Threats” by Michael Paglia, 2004/1/22
Washington City paper, “Concentrics” by Louis jacpbson, 2004/6/25
Peter Lodermeyer, Catalog essay, “personal Structures” 2003
Art Papers, review by Paul Ryan, 2003/ Sep. and Oct. issue
The Washington post, “Starring Rolls” by Jessica Dawson, 2002/10/17
Sculpture magazine “ Jae Ko Sculpture” by Cathy Byrd, 2001/April issue
The washington post, :Re-Forming Nature, Piece by Piece”, by Jessica Dawson, 2001/2/22
Art on Paper,”Paper, The Aldrich Museum of Contemporary”, by Nancy Princenthal, 2001/7
The New York Times, “ART; On Paper, a Show That Measures Up”, by William Zimmer, 2001/3/18
The New Times, “Aldrich shows shine in separate ways” by Frank Merkling, 2001/2/2
The Advocate & Greenwich Time, “Transformations at the Aldrich, by L.P.Streitfeld, 2001/2/11
Art in America, review by J.W. Mahoney, 2000/7
The Atlanta Journal-Constitution, “East Meets West in Dyed Paper Sculptures” by Catherine Fox, 2000/5/26
Atlanta Creative, “Beauty by Chance” by Cathy Byrd, 200/5/27
The washington Post, “Jae Ko on a Roll. The young sculpture adds to her reputation” by Ferdinand Protzman, 2000/2/17
“High Definition” catalog essay by Kristen Hileman, 1999
“Pure-View” catalog essay by Kristen Hileman, 1999
The Washington Post, It all adds up, from twenty strong works, one strong show” by Ferdinand Protzman, 1999/4/29
New Art Examiner, 1999/ April issue
The Washington Post, Artsite 1998, Standing out in a crowd” by Ferdinand Protzman, 1998/7/10
“Chance and Necessity” catalog essay by Power Boothe, 1998
The washington Post, “Cutting it close: The cream of the home-grown crop at ArtSite98” by Glenn Dixon, 1998/8/28
Articulate, “ ArtSites 98: High Definition” by Suzanne Summers, 1998/10
The Baltimore Sun, “Artsites offer enjoyable show at Arlington art center” 1998/6/18